-Intro, body, conflict are all present. good job.
-Epilogue dialogue and writing need to be separate
-VO and lower thirds work well.
-Who is Sterling?
-SFX of comics.
-Not being able to get in touch with Jason isn’t a necessary component
-Hispanic background can be played up more.
-Single out Specter-X as latino amongst white superheros
-Core concept is not concrete.
-Start wide with “comic book publishing is tough,” narrow in on Enrique
How did you become a comic book fan?
How did you get your start writing stories?
When did you decide to begin writing for comic books?
How did you and your artist meet?
Who is Specter-X?
How did you come up with him?
What makes him unique?
Who is/are his nemesis?
Who are you writing Specter-X for?
What are your plans if Specter-X becomes successful?
What are your plans if it does not?
We will approach this film with the intention of showing Enrique’s real life struggles with getting Specter-X funded and published. Enrique will discuss his past, current, and future obstacles within the context of his life and Specter-X’s life. Use of cinema verite with poetic shots, motion graphics, and voiceover, as well as an expository look at comic book readers and retailers can be expected.